Movies that promote conspiracy theories!

Did the moon landings ever happen? Not according to this movie!

Since the first feature films were made by Hollywood in the early 20th century – they have been peddling conspiracy theories. All social media has done is amplify this stuff to an unparalleled degree. Whether it’s faked moon landings or clones of Hitler being created in Latin America – there’s a movie for every conspiracy theory you can imagine!

How about the moon landings never happened? Ever since Neil Armstrong made a giant leap for mankind by stepping to the surface of the moon – there’s been endless speculation that it never happened. One conspiracy theory is that fake filmed footage to fool the public was overseen by Stanley Kubrick who had just directed 2001: A Space Odyssey which included scenes on the moon.

In 1978, James Brolin and O. J. Simpson played astronauts in the conspiracy theory movie Capricorn One. The plot involves a manned mission to Mars that goes wrong due to technical faults with the space module. To avoid embarrassment, the government creates a Mars-like environment in a studio and the astronauts pretend to have landed on the red planet. But in order to keep things totally secret, the astronauts have to be killed. This played to lingering widespread suspicions that nobody had ever been to the moon.

Since the end of the Second World War, there’s been a great deal of speculation about how many of Hitler’s top Nazis secretly fled Germany to Latin America. Was the Vatican involved? Did fascist and military dictators in Latin American countries shelter some of the most evil people in the 20th century? The 1978 movie The Boys from Brazil certainly thought so.

This has to be one of the most absurd conspiracy theory plots ever concocted. Veteran Hollywood actor Gregory Peck (who must have needed the money) plays Dr Josef Mengele, a real-life Nazi doctor who conducted unspeakable experiments in the Auschwitz concentration camp. The movie had him in Brazil decades later developing Hitler clones. The intention was that these little boys would grow up to be Fuhrers and take over the world.

The assassination of President Kennedy in 1963 has been blamed on the CIA, the mafia and of course Lee Harvey Oswald. In 1991, director Oliver Stone brought us JFK – a conspiracy theory laden feast of conjecture and inference. Most controversially, it pointed an accusing finger at Lyndon Johnson, Kennedy’s immediate successor as President of the United States. Stone came in for a mountain of criticism but the movie was a box office smash.

The JFK conspiracy theory movie

In 1962, The Manchurian Candidate gave us the story of a US President secretly in the grip of the Soviet Union. The champion of the free world was actually a Communist agent. I know what some of you are thinking – replace the Soviet Union with Russia and we have a Manchurian Candidate in the White House today! In 2004, the film was remade with a president under the control of a multinational corporation. Time for another update then?

FIND OUT MORE: Movies about the Nazis

Forward to 1990 and we have the release of Godfather III – the third of the Godfather gangster trilogy directed by Francis Ford Coppola. It’s arguably the weakest of the three films. The conspiracy theory plot features the murder of a recently elected pope and financial skullduggery within the Vatican. These are heavy references to the real-life scandal at the Vatican controlled Banco Ambrosiano at the end of the 1970s and the sudden death of Pope John Paul I only a month after his election in 1978.

The theme of a murdered pope continues with Angels and Demons – a movie based on the novel by Dan Brown.

Are there any movies you’ve enjoyed that promote crazy or feasible conspiracy theories?

How the movie industry depicts the Nazis

The Nazis ran the worst dictatorship in history that plunged Europe into a devastating war and murdered millions in concentration camps. So, how has the movie industry depicted the horror of Adolf Hitler. Well, let’s take a look:

Gritty realism: “Downfall” (2004)

A brilliant German movie about Hitler’s final days in Berlin as the Soviet Red Army and Allied forces closed in on the city, leaving it a smouldering ruin.

An incredibly atmospheric film that captures the claustrophobic atmosphere in the bunker where Hitler and the Nazis were holed up. Bit by bit we see the Third Reich crumbling leading to the Fuhrer’s suicide.

Tense thriller: “Valkyrie” (2008)

In July, 1944, a group of German military officers tried to blow Adolf Hitler and the Nazi high command up as they met at the so-called Wolf’s Lair. Tom Cruise plays Colonel Claus von Stauffenberg, the one-eyed hero who tries and fails to implement the mission. Casting in this movie on the Nazis was spot on and you empathise completely with the doomed plotters.

Musical: “The Sound of Music” (1965) and “Cabaret” (1972)

The Nazis have been taken on in musicals. The Sound of Music tells the story of a singing family against the backdrop of the Nazi takeover of Austria. Made twenty years after World War II, it’s not an in-depth look at German fascism, more a romantic tale in which the Nazis intrude.

Ditto Cabaret, another love story set in the Weimar republic. Starring Liza Minelli, that movie is based on a story by the English poet Christopher Isherwood. Again, it’s not really about the Nazis but they do turn up at the end of the movie to spoil everything, closing down the fun night life of Berlin.

Sentimental and whimsical: “Life is Beautiful” (1997) and “The Day the Clown Cried” (1972)

My least favourite movie type on the Nazis is the very sentimental and treacly films about life in concentration camps. I realise that many moviegoers adored Life is Beautiful, about a father resorting to comic routines to obscure the nightmare of concentration camp life from his son, but I found it unbearably mawkish.

Twenty five years before, comedian Jerry Lewis made a similar movie called The Day the Clown cried. It was so bad that even Lewis insisted it should never be released – and thankfully it never was.

Dark comedy: “The Producers” (1967) and “The Great Dictator” (1940)

Comedy is a genre that’s had mixed results. The director Mel Brooks featured a fictional musical called “Springtime for Hitler” in his musical The Producers, which was in deliberately bad taste but very funny.

In contrast, I’ve never known what to make of Charlie Chaplin’s well-intentioned but unwatchable comic take on Hitler, The Great Dictator. Might have worked when it was made in 1940 as an anti-Nazi film but today it’s just clunky and cloying.

Out and out propaganda: “Triumph of the Will” (1935)

Then of course, there are films the Nazis made themselves heroising their dictatorship. The in-house director for the Third Reich was a woman called Leni Riefenstahl. Technically very proficient, she glorified the Reich in a movie called Triumph of the Will in 1935.

It’s more of a fly on the wall documentary with no voice over that bombards the viewer with rallies, goose-stepping SS and endless speeches by Hitler and others. Riefenstahl managed not to get imprisoned after the war and died in 2001 aged over 100.

Portraying Adolf Hitler is still a very emotive subject. But the further we move away from World War II and the Holocaust, the more it seems that directors are prepared to take on the subject in ways that would have once seemed unthinkable.

When I was a teenager in the 1970s, Hitler was a demonic figure. The debate now is to what extent he can be depicted as a human being without diminishing what he did.

Top Roman movies of all time!

The Roman Empire at the movies has often been great box office. Think Spartacus or Gladiator. Though there have been some box office stinkers too!

From the silent movie era to the CGI laden epics of modern cinema, the Roman Empire has always provided great material for film makers. Rome has gone in and out of fashion but the lure of sword and sandals means it’s always coming back again like a cinematic boomerang.

So – from the early days to our own time – here are the classic Roman movies!

ROMAN MOVIES: The silent era

In the early days of cinema, the Romans on the silver screen were voiceless. The talkies had yet to arrive so there was no audible clash of swords or trundling of chariot wheels. Nevertheless, Rome still gripped audiences. It was always good box office!

The Italian film industry got in early with The Last Days of Pompeii in 1913 – a feature length love story that ends with an erupting Neapolitan volcano. Italian directors never needed a second invitation to make movies about ancient Rome. And the Cinecitta movie studio built under the Mussolini dictatorship has provided convincing Roman backdrops for decades.

The 1913 movie is all about the final days of the Roman city of Pompeii, before the buildings and people of that ancient metropolis were incinerated by spewing lava and fumes from mount Vesuvius in AD 79.  The plot is quite operatic and of course the audience realise that many of the characters will be toast in about 90 minutes. But for its time – a compelling piece of cinema.

Ben Hur – a story written over 130 years ago – has gone through five movie versions of varying quality.  It’s based on a 19th century novel by the US civil war Union general Lew Wallace. The story’s hero is Judah Ben Hur who falls out with his boyhood Roman friend Messala who allows his Jewish buddy to be framed for a crime he didn’t commit.

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Ben Hur eventually gets his revenge by defeating Messala in a chariot race that leaves the nasty Roman mangled and dying. Redemption and happiness returns to Ben Hur when he accepts Christ – who he sees being crucified.

There are two amazing movie versions that I thoroughly recommend. The 1925 silent movie with Ramon Novarro in the lead is beautiful. It’s like art deco meeting ancient Rome.

Charlton Heston took the main role in the subsequent 1959 classic that was deservedly showered with Oscars and is still stunning today. In marked contrast, the 2016 movie is a gigantic turkey that should be avoided at all costs.

ROMAN MOVIES: Golden age of sword and sandals

The 1940s and 1950s were a golden age for sword and sandals biblical epics and ancient Rome featured heavily. 1951 saw Quo Vadis  – setting meek and mild Christian heroes against the capricious and evil emperor Nero. It assumed an audience steeped in the kind of Sunday school bible learning that you wouldn’t find in our more secular times – as well as an awareness of the finer details of Roman history.

Then there was Spartacus – a superior example of the genre directed by the legendary Stanley Kubrick. It tells the story of a huge slave revolt that really happened in the closing years of the Roman Republic – before it became the Empire.

The cast includes Kirk Douglas as the slave hero. Tony Curtis as his sidekick. Laurence Olivier as the Roman general Crassus. And Charles Laughton as Gracchus.

In this scene below, Crassus has defeated the rebel slave army. He asks which of the slaves is Spartacus so that he can punish the audacious rebel. In a very moving scene, one slave after another claims to be Spartacus. Watch and weep!

By the mid-1960s, the sword and sandals bubble finally burst. The movie Cleopatra with Elizabeth Taylor and Richard Burton soared over budget. The scenes were opulent and jaw dropping with vast numbers of extras and gargantuan studio sets – but the returns to the studio were too thin. Rome had got too bloated for its own good.

ROMAN MOVIES: The Empire Strikes Back!

For the next 35 years, the Romans were put up on a high shelf and sort of forgotten. As far as Hollywood was concerned, the Roman Empire was past its sell-by date. But then in 2000, UK director Ridley Scott bravely resurrected the imperial glory with his movie Gladiator.

For those of us yearning for some swords and some sandals on the big screen again, this was a miracle. When it premiered, I went to see it three times without being bored once. It’s still a remarkably watchable movie. Tightly scripted and with inspired casting. Russell Crowe’s brooding Antipodean growling suited the lead character. And I loved the campy performance from the late Oliver Reed.

It’s a genuinely good film and you can tell because there are so many memorable lines.