Neolithic statues that look like aliens

I was in the capital of Kosovo – the city of Pristina – last month and saw some incredible 7,000 year old statues from the Neolithic period that quite frankly, looked like aliens.

At the Museum of Kosovo in Pristina, I browsed the strange Neolithic sculptures of alien like beings in glass cases. Oblong heads and huge eyes – they really are quite hypnotic. These figures were made by people of the so-called Vinca culture.

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These Neolithic humans hadn’t mastered metalwork yet – this was a late phase of the Stone Age. But despite that, the Vinca were surprisingly advanced. They may have had multi-storey buildings, sophisticated agriculture and even a written script. Eventually, they discovered how to work with copper.

These Neolithic alien-like figures were first discovered a century ago. At first, it wasn’t completely clear what they were – let alone their incredible age. Now we know these enigmatic figures came from one of the largest Stone Age communities in Europe.

In some ways not surprising that a relatively large population was there. The mighty river Danube flowed nearby that would have ensured both fertile land and fish to eat.

Unfortunately, the Museum of Kosovo suffered during the Balkans war in the 1990s. Most of his prehistoric exhibits were spirited off to the Serbian capital Belgrade and there’s not been much willing to hand them back.

I loved these figures and have one sitting on my desk – a replica of course!

Notre Dame – seizing an opportunity from a tragedy

I’ve spent a lot of time in Paris this year and made two visits to Notre Dame in February and March. It made me sick to my stomach to see the cathedral in flames yesterday. But almost immediately, having immersed myself in the history of Notre Dame, I recognised an opportunity that could arise from this tragedy.

Getting rid of 19th century “improvements”

It may be too soon to say this, but I’ll stick my neck out and take the risk. Notre Dame has been subject to some major changes in its 800 year history.  In the 17th century, classical pillars were added to the nave and stained glass replaced by plain glass. But it was the 19th century and a revival of interest in the medieval Gothic that led some to some very controversial changes to buildings like Notre Dame.

Eugène Emmanuel Viollet-le-Duc (1814-1879) was an architect who set out to tart up medieval buildings in France that had either fallen into disrepair or been damaged during the French Revolution of 1789. He came under fire from critics at the time for removing the 17th century classical elements put up under Louis XIV, re-introducing (as he saw it) loads of grotesque gargoyles and re-building the central spire – removed as unsafe in the 18th century.

Eugene_viollet_le_duc

Viollet-le-Duc

It was this spire that collapsed during the fire yesterday. Also destroyed would have been stained glass put in by Viollet-le-Duc and other “restorations”.  The question that should now be reviewed again is whether his changes were in keeping with the original cathedral or a 19th century Romantic era idea of the Middle Ages.

The English Gothic revivalist architect Augustus Pugin seems to have despised Viollet-le-Duc calling him a “monster of architectural depravity”.  He has been rehabilitated to a degree in recent decades, particularly as his intervention stopped some medieval churches from literally toppling over.

But it’s worth considering whether everything he did to Notre Dame – some of which may now have been reduced to ashes – needs to be reconstructed as before. Might this be an opportunity to take the cathedral back to its real medieval appearance – and not Viollet-le-Duc’s imagining?

My visits to Notre Dame this year

I visited Notre Dame twice this year and here are some of my photos from inside the building – sad to look at them now. More interestingly, a digital mapping of Notre Dame was conducted recently and it revealed the need for major repairs. Wired magazine has just run a timely article on this you can read HERE.