The Georgians and Victorians did love the shock of the new. And science provided plenty of thrills and spills. For example, the use of Galvinism to bring the dead back to life. Or so it seemed! What we might call Frankenstein science.
Galvinism turns a dead criminal into a real life Frankenstein!
At the start of the 19th century, a criminal hanged in London was seemingly brought back to life through an early use of electricity to re-animate the dead – something called Galvanism! It was this primitive use of electricity that inspired Mary Shelley to write the novel Frankenstein.
If you go to the Old Bailey in London today, you’ll just see the Central Criminal Court and nothing much else. But in the late eighteenth century, you would have encountered Newgate prison next to the Court of Justice and close by, the Surgeon’s Hall.
This was pretty much the journey that those condemned to death took on a single day: prison cell, hangman’s rope and then dissected on the surgeon’s table.
While on the surgeon’s table – the dead criminal might be exposed to the new technological trick of Galvanism – a Frankenstein technology that involved using electricity to bring corpses back to life!
Galvinism turns dead murderers into entertainment
The bodies of murderers, once executed, were subject to a display of anatomy in front of an audience of students and other interested individuals – who may have paid to get access.
It seems incredible, but operations on the living and the dead were a spectator sport in London two hundred years ago. Although those present would have claimed they were there to be educated and informed!
A man called Foster was executed for killing his wife. Following the usual routine for the accused, he was brought from the typhus-infested Newgate prison out to the Court of Justice and condemned to death.
The sentence, up until the 1860s, was carried out in front of the court house on a platform for crowds to watch. He was then cut down and his body taken over to the Surgeon’s Hall.
Mr and Mrs Galvini – pioneers of Galvinism!
It was then subjected to what was described as the “Galvanic Process” – invented by Luigi Galvani and his wife, Lucia Galvani. They found that frogs’ legs could be made to twitch using an electrical current long after the animals had died. In London, they decided to see if this would work with dead humans. And yes – we are talking about the period when the author Mary Shelley wrote her novel Frankenstein.
The thrill for the spectators in the anatomy theatre was to see a dead murderer brought back to life using Galvanism – a brand new science. What would the killer do? Would he lunge at the audience? Would he speak? Could he be made to do their bidding?
Truly – Frankenstein stuff!
A nephew of the Galvani duo was present as the doctors began applying electricity to the dead man’s face and jaw – at which point, one of his eyes opened! According to a contemporary account, “the adjoining muscles were horribly contorted”. Then the right hand rose up, clenched. Following that, his thighs and legs began to move.
The contemporary account goes on to say that the object of the exercise was to show “the excitability of the human frame when animal electricity is duly applied”. It was hoped that this Galvanism could be used for victims of drowning, suffocation or even stokes (“apoplexy” as it was called) “thereby rekindling the expiring spark of vitality”.
Unfortunately, the account then claims that the right arm of the deceased rose with such force that it actually struck one of the employees of the Surgeon’s Hall “who died that very afternoon of the shock” (most likely a heart attack).
So instead of Galvanism presenting hope to those feared drowned – it became more associated with a the sort of Frankenstein horror that of course Shelley would immortalise.