Cleopatra

Top history movie turkeys

Hollywood has tackled many historical themes over the last hundred years with mixed results. From the Oscar laden 1959 classic Ben Hur to the almost unwatchable Enemy at the Gates. Let’s have a look at the movies that got it terribly wrong – the history movie turkeys!

HISTORY MOVIE TURKEYS: Alexander (2004)

Gosh, how can you make the story of a young Greek king who conquered the world utterly tedious? Well, take about US$155m and bore your audience to tears.

The worst thing about this movie was the total lack of empathy that Alexander exuded. I couldn’t give a damn about poor old Colin Farrell and his peroxide-blonde locks charging round the Middle East.

Unsurprisingly, this turkey was nominated for six Golden Raspberry Awards in 2005. The notorious Razzies! Poor Oliver Stone set about a Director’s Cut and a “Final Unrated Cut”. But in the end of the day, when the source material is as unwatchable as this – just stop cutting.

One critic called it an “excruciating disaster for the ages”. Quite!

HISTORY MOVIE TURKEYS: Enemy at the Gates (2001)

Seriously, let the enemy in!

Anything to put this movie out of its misery. I remember going to see this at a west London cinema in 2001 and I was just so furious. The Battle of Stalingrad is truly one of the most gripping and appalling conflicts of World War Two. How can you wrong with this?

The casting for me was the big no-no. Jude Law as Soviet farm worker turned Red Army super-sniper Vasily Zaytsev – I didn’t buy it. And I like Jude Law normally. But this was not his part. Thankfully he went on to showcase his undoubted talent in better movies.

HISTORY MOVIE TURKEYS: Braveheart (1995)

OK – here’s the thing. I have to make a confession. When it came out, like most people, I enjoyed this movie. Unlike Alexander or Enemy at the Gates, which I detested from five minutes after the opening credits, Braveheart was a good romp.

But over the years, the varnish has worn off. The historical inaccuracies and the heavy-handed and cartoonish portrayal of the English. And I’m half-Irish (which is part of the reason I did like it to start with). It’s now completely unwatchable.

HISTORY MOVIE TURKEYS: King Arthur (2004)

When I was a teenager, I saw the amazing John Boorman directed movie Excalibur – released in 1981. It was a slightly trippy, hallucinogenic take on the Arthurian legend. But then if you read the medieval tales, they are pretty out there.

Then along clunks this turkey proclaiming that it’s a “realistic” version of the story. I went with nothing except trepidation to view this movie. All my worst fears were realised in a film that plods drearily to a leaden conclusion.

DISCOVER: Movies that feature the Knights Templar

By the way – King Arthur was a Roman soldier. Yeah – it’s a fact apparently…

HISTORY MOVIE TURKEYS: Gone with the Wind (1939)

OK – I’m being a bit provocative now. 1939 has been called the greatest year in Hollywood history. The studios churned out some of the great movies ever that year. And Gone with the Wind was, for many decades, in real terms the biggest grossing movie of all time.

But – it’s overlong, ponderous and a bit racist. It’s based on a book that glorified the Confederacy presenting it as some kind of long lost chivalrous civilisation. And I’m afraid it’s symptomatic of a long Hollywood tradition of getting it wrong on race.

More than anything though – rather like Liz Taylor in the 1963 mega-turkey Cleopatra – it’s just too much and not satisfying enough. I know 99% of you will heartily disagree. But I’ve never been able to sit through this to the bitter end. And I’m a big fan of vintage movies.

Top Roman movies of all time!

The Roman Empire at the movies has often been great box office. Think Spartacus or Gladiator. Though there have been some box office stinkers too!

From the silent movie era to the CGI laden epics of modern cinema, the Roman Empire has always provided great material for film makers. Rome has gone in and out of fashion but the lure of sword and sandals means it’s always coming back again like a cinematic boomerang.

So – from the early days to our own time – here are the classic Roman movies!

ROMAN MOVIES: The silent era

In the early days of cinema, the Romans on the silver screen were voiceless. The talkies had yet to arrive so there was no audible clash of swords or trundling of chariot wheels. Nevertheless, Rome still gripped audiences. It was always good box office!

The Italian film industry got in early with The Last Days of Pompeii in 1913 – a feature length love story that ends with an erupting Neapolitan volcano. Italian directors never needed a second invitation to make movies about ancient Rome. And the Cinecitta movie studio built under the Mussolini dictatorship has provided convincing Roman backdrops for decades.

The 1913 movie is all about the final days of the Roman city of Pompeii, before the buildings and people of that ancient metropolis were incinerated by spewing lava and fumes from mount Vesuvius in AD 79.  The plot is quite operatic and of course the audience realise that many of the characters will be toast in about 90 minutes. But for its time – a compelling piece of cinema.

Ben Hur – a story written over 130 years ago – has gone through five movie versions of varying quality.  It’s based on a 19th century novel by the US civil war Union general Lew Wallace. The story’s hero is Judah Ben Hur who falls out with his boyhood Roman friend Messala who allows his Jewish buddy to be framed for a crime he didn’t commit.

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Ben Hur eventually gets his revenge by defeating Messala in a chariot race that leaves the nasty Roman mangled and dying. Redemption and happiness returns to Ben Hur when he accepts Christ – who he sees being crucified.

There are two amazing movie versions that I thoroughly recommend. The 1925 silent movie with Ramon Novarro in the lead is beautiful. It’s like art deco meeting ancient Rome.

Charlton Heston took the main role in the subsequent 1959 classic that was deservedly showered with Oscars and is still stunning today. In marked contrast, the 2016 movie is a gigantic turkey that should be avoided at all costs.

ROMAN MOVIES: Golden age of sword and sandals

The 1940s and 1950s were a golden age for sword and sandals biblical epics and ancient Rome featured heavily. 1951 saw Quo Vadis  – setting meek and mild Christian heroes against the capricious and evil emperor Nero. It assumed an audience steeped in the kind of Sunday school bible learning that you wouldn’t find in our more secular times – as well as an awareness of the finer details of Roman history.

Then there was Spartacus – a superior example of the genre directed by the legendary Stanley Kubrick. It tells the story of a huge slave revolt that really happened in the closing years of the Roman Republic – before it became the Empire.

The cast includes Kirk Douglas as the slave hero. Tony Curtis as his sidekick. Laurence Olivier as the Roman general Crassus. And Charles Laughton as Gracchus.

In this scene below, Crassus has defeated the rebel slave army. He asks which of the slaves is Spartacus so that he can punish the audacious rebel. In a very moving scene, one slave after another claims to be Spartacus. Watch and weep!

By the mid-1960s, the sword and sandals bubble finally burst. The movie Cleopatra with Elizabeth Taylor and Richard Burton soared over budget. The scenes were opulent and jaw dropping with vast numbers of extras and gargantuan studio sets – but the returns to the studio were too thin. Rome had got too bloated for its own good.

ROMAN MOVIES: The Empire Strikes Back!

For the next 35 years, the Romans were put up on a high shelf and sort of forgotten. As far as Hollywood was concerned, the Roman Empire was past its sell-by date. But then in 2000, UK director Ridley Scott bravely resurrected the imperial glory with his movie Gladiator.

For those of us yearning for some swords and some sandals on the big screen again, this was a miracle. When it premiered, I went to see it three times without being bored once. It’s still a remarkably watchable movie. Tightly scripted and with inspired casting. Russell Crowe’s brooding Antipodean growling suited the lead character. And I loved the campy performance from the late Oliver Reed.

It’s a genuinely good film and you can tell because there are so many memorable lines.